How 'Fahrenheit 451' Trends Threaten Intellectual Freedom
Revised text: 02/14/98 Graphics added: 09/02/06
In 1952, Harry Elmer Barnes wrote a timely article, "How 'Nineteen
Eighty-Four' Trends Threaten American Peace, Freedom, and Prosperity"
as the final chapter of the classic revisionist anthology, Perpetual
War for Perpetual Peace. Barnes analyzed George Orwell's classic
novel as a work of prophecy and sounded the alarm to reverse the "1984"
trends prevalent in the America of his day. Barnes argued that propagandists
and "court historians" were fashioning a present, based on a falsified
and inaccurate telling of the past, that was designed to meet Establishment
desires to participate in world wars. Ironically, Barnes' article was
omitted from the first edition the collection.(1)
Barnes may be best remembered as the author of the generally
accepted definition of "revisionism,"
"Revisionism means nothing more or less than the effort to correct
the historical record in the light of a more complete collection
of historical facts, a more calm political atmosphere, and a more
objective attitude." (2)
Barnes had discovered that a more nearly accurate
version of the history of the First World War was only possible after
the fighting had ended and the emotional excesses had lessened. He was
unable to predict that similar corrections of Allied propaganda and
popularized conceptions of the methods of warfare in the Second World
War would meet even sterner resistance.
Today - half a century after the conclusion of
the Second World War - it would be fair to expect a less emotional environment,
one in which historians, researchers and writers were free to examine
the actual causes of the war as well as the atrocities committed by
both sides in the conflict. However, those and other topics are more
forbidden than ever with the greatest taboo surrounding analysis of
the fate of Europe's Jews and others in what has come to be known as
the Holocaust.
In 1950, three years
prior to Barnes' article concerning "1984" trends another author, Ray
Bradbury, set out a foreboding vision of the future in a short story
titled, "The Fireman." Later, Bradbury's story would be renamed
Fahrenheit 451 after the temperature at which paper burns.
Fahrenheit 451 describes a horrific future in which millions
of books are banned and firemen set fires instead of extinguishing them.
In order to maintain a society of brainwashed, "happy" people, the firemen
kick down doors and burn the hated volumes along with the homes that
housed them.
Barnes would never have
suspected how fast the world would progress from the "1984" trends he
identified to the trends Bradbury identified in Fahrenheit 451(3).
In our time, we see the events of Bradbury's science fiction novel coming
to pass every day.
Custodians of our peace of mind
Bradbury explained the origins of the book burnings
in Fahrenheit 451 through his fire chief, Captain Beatty:
"It didn't come from the Government down. There was no dictum, no
declaration, no censorship, to start with, no! Technology, mass
exploitation, and minority pressure carried the trick, thank God.
Today, thanks to them, you can stay happy all the time, you are
allowed to read comics, the good old confessions, or trade journals."
(4)
Contemporary America is similarly undergoing a
period of "political correctness" that has touched us on every societal
level. The impulse not to "offend" has resulted in the censorship of
thought which breaches the limits of recently defined "good taste."
The solution to politically incorrect thought is obvious in Bradbury's
nightmare world. In the words of Captain Beatty:
"Colored people don't like Little Black Sambo. Burn it.
White people don't feel good about Uncle Tom's Cabin.
Burn it. (5)
One of the first examples of a Fahrenheit 451
trend was an arson-attack on The Historical Review Press (HRP), a publisher
of revisionist books in Britain. On November 5, 1980, "firemen" destroyed
the office, warehouse and printing plant of the HRP. Damage was estimated
at 50,000 pounds.(6) HRP rebuilt only to have the "firemen" return in
September 1996. The offices were once again badly damaged by the "firemen's"
flames.(7)

A huge pile of burned books after
the 1984 arson attack at the Institute for Historical Review.
HRP was not the only revisionist publisher
to meet a fiery fate. On July 4, 1984, "firemen" paid a call on the
Institute for Historical Review (IHR) in California. IHR publishes revisionist
histories of the Second World War and has dared to question elements
of the orthodox "Holocaust" story. The "firemen" chose to attack IHR's
warehouse and burn tens of thousands of books that they feared people
would read. Among the books burned was Barnes', Perpetual War
for Perpetual Peace. (8)
On May
8, 1995, "firemen" in Canada brought their form of censorship to Ernst
Zündel, a small independent publisher. Zündel had run into trouble with
the authorities in Canada for publishing a slender volume which dared
to pose the question,
Did
Six Million Really Die? After years of state censorship,
Zündel's home and office were severely damaged by fire after an unknown
assailant doused the building with gasoline and set it ablaze. Witnesses
reported seeing what Bradbury readers would have to call a "fireman"
carrying a red gasoline canister to the front of Zündel's home, "gingerly
like a bomb," and setting the fire.

The charred remains of books and the ceiling of
Ernst Zündel's home and "headquarters" in 1995.
The damage was extensive; many books and files
were destroyed. The blazing roof collapsed into the building. What wasn't
ruined by the flames was damaged by the water of the official fire brigade
which flooded the lower floors. (9)
The message was loud and clear: Publications that inspire thought on
certain controversial topics are not allowed.
Setting the Structure to burn the books
Sometimes, the "firemen" are able to carry out
their objective - Preventing books from being read - without actually
consigning volumes to the flames. In 1996, St. Martin's Press decided
to publish a biography of Hitler's propaganda minister, Joseph Goebbels
written by David Irving, a popular albeit controversial British historian.
David Irving's Goebbels as
published by Focal Point Productions
St. Martin's Press publisher Thomas Dunne
issued the following angry statement after receiving dozens of protests
against his plans to publish Irving's
Goebbels: Mastermind of the Third Reich
.
``A number of the calls we have received have expressed fury that we
would publish a book by 'a man like David Irving' and have questioned
our moral right to do so. I can only say that Joseph Goebbels must
be laughing in hell. He, after all, was the man who loved nothing
better than burning books, threatening publishers, suppressing ideas
and judging the merits of ideas based not on their content but by
their author's racial, ethnic or political purity. That is indeed
a sad irony.''
The campaign to ban the book built for several
weeks. Initially, St. Martin's editors stood by their decision and insisted
they found nothing wrong with Irving's book. However, the pressure increased
- now including death threats from the "firemen" - and Thomas McCormack,
chief executive officer of St. Martin's finally gave in and reversed
the company's earlier position.(10) St. Martin's decided not to publish
Irving's volume. Far from being widely condemned, the St. Martin's surrender
was upheld by numerous American newspapers.
Presumably St. Martin's Press would have acquiesced in a literal as
well as a figurative incineration. Submitting to such tyranny is always
simpler than standing up to it. In Bradbury's novel, Faber, a retired
professor says,
"I saw the way things were going, a long time back. I said nothing.
I'm one of the innocents who could have spoken up and out when no
one would listen to the 'guilty,' but I did not speak and thus became
guilty myself. And when finally they set the structure to burn the
books, using the firemen, I grunted a few times and subsided, for
there were no others grunting or yelling with me, by then." (11)
Fahrenheit 451 trends are perhaps
most prevalent in Germany. Günther Deckert, a school teacher translated
into German a work of American execution consultant, Fred Leuchter,
titled
The Leuchter Report. The report is Leuchter's 1988 analysis
of the alleged gas chambers of Auschwitz and Majdanek. Deckert, who
was very familiar with Leuchter's work interpreted at a meeting at which
Leuchter spoke in Weinheim in November of 1991.
Günther Deckert was arrested for
translating the Leuchter Report into German
For those actions, Deckert was dragged into
court and given a one-year suspended sentence. Owing to protests over
that "lenient" penalty, he was retried. This time, in a Karlsruhe court,
Judge Eva-Marie Wollentin sentenced him to two years imprisonment -
in what has been described as "the freest state in German history.
The Neue Osnabruecker Zeitung spoke
for many of Germany's modern editors in an editorial, intoning that
it was a just sentence. "There was no reason to suspend the sentence
passed on the rightwinger," it declared. "Deckert showed not the slightest
repentance" In that, the newspaper was correct. When accused of having
shared Leuchter's views, Deckert told the court: "I stand unconditionally
by what I said." (12)
Burn It!
Fahrenheit 451 trends become most apparent after Germar Rudolf
published an anthology titled, Grundlagen zur Zeitgeschichte:
Ein Handbuch über strittige Fragen des 20. Jahrhunderts,
(Foundations of Contemporary History: A Handbook
on controversial questions of the Twentieth century). Rudolf, forced
to use pseudonyms after publishing
Das Rudolf Gutachten
(The Rudolf Report), his own scientific analysis of the purported
Auschwitz gas chambers, suffered numerous raids on his home by the German
state "firemen." In March of 1995, the "firemen" raided a German publisher
and seized all available copies of Grundlagen zur Zeitgeschichte.(13)

All copies of Grundlagen zur
Zeitgeschichte were ordered burned by a German judge.
In May 1996, Judge Burckhardt Stein ruled that Rudolf had to
be arrested without delay for his part in publishing the book. On June
15, 1996, the judge ruled that all copies of Grundlagen zur Zeitgeschichte
must be burned. The "firemen" no longer had to operate under
the cover of darkness - they were now given official authority to carry
out their murder of ideas. Not content to simply burn the words of Rudolf
and his co-authors, the "firemen" sentenced Rudolf to 14 months imprisonment.
He has so far eluded his captors and today writes in exile.(14)
In Bradbury's novel, Captain Beatty discovers that Montag, the novel's
hero - and a renegade firman - had hidden books in his home. For that
infraction, the "firemen" visit Montag's home and Beatty orders Montag
to burn his own books.
"I want you to do this job all by your lonesome, Montag. Not with
kerosene and a match, but piecework, with a flame thrower. Your
house, your clean-up."(15)
As Montag burns his home and precious books, Beatty
declares not unlike Judge Stein,
"When you're quite finished... you're under arrest." (16)
These are not isolated cases. In February 1995,
after receiving numerous complaints, a German publisher ordered the
"recycling" of John Sack's An Eye for an Eye which recounts
the story of Jewish revenge against the Germans after World War II.
Citing information from Germany's Federal Archives, Sack, who is himself
Jewish, maintains that 60,000 to 80,000 ethnic Germans were killed or
otherwise perished between 1945 and 1948 in camps run by the Polish
communist regime's Office of State Security.
The German cultural establishment launched a bitter assault. The book
was denounced as a sensationalist, "vile docudrama" and a "gift to neo-Nazis."
Soon, the book's publisher, R. Piper found itself deluged with complaints.
All 6,000 copies of the German edition were stacked in a Stuttgart warehouse
when Piper publisher Viktor Niemann decided to destroy them. On February
13, the publisher announced, "They will be recycled."(17)
In December of 1996, German authorities ordered all copies of Carlos
Porter's Not Guilty at Nuremberg:
The German Defense Case to be destroyed along with the means
of reproducing it. Porter resided in Belgium at the time of the German
order. Porter's troubles with the German thought police began in August
1996 when he sent several copies of his book, along with a cover letter
to several people in Germany.

All copies of Carlos Porter's
Not Guilty at Nuremberg were ordered to be destroyed by German authorities.
In Munich, a certain Judge Zeilinger ruled that
Porter had violated the German law against "defamation and desecration."
He was fined 6,000 DM for writing and distributing his book, which is
a revisionist analysis of the Nuremberg trials. Zeilinger, also directed,
in her "Order of Punishment," that all copies of Not Guilty at
Nuremberg be confiscated, including copies in Porter's personal
possession. Zeilinger wrote: "It is also ordered that all means for
the production of this published work be confiscated, including any
plates, forms, templates, negatives, or matrices."
Zielinger charged that various passages from Porter's revisionist analysis
denied or minimized the tales of the "Holocaust."(18)
Striking the Match
One of the most moving scenes in Bradbury's novel is
the raid on an old woman's home when neighbors tip off the authorities
that she has built an illegal library. The "firemen" squirt their kerosene
over the books. Montag later explains to his wife, "We burnt copies
of Dante and Swift and Marcus Aurelius." (19) When the "firemen" attempt
to drag the old woman from her house, she refuses to cooperate. The
woman is too proud to give in to the "firemen" and instead carries out
the final act of rebellion by striking a match and immolating herself.
"On the front porch where she had come to weigh them quietly with her
eyes, her quietness a condemnation, the woman stood motionless.
Beatty flicked his fingers to spark the kerosene. He was too late.
Montag gasped. The woman on the porch reached out with contempt
to them all and struck the kitchen match against the railing."(20)

A stain marks the place of Reinhold
Elstner's self-immolation at Feldherrnhalle in Munich.
In April 1995, Reinhold Elstner, a former Wehrmacht
soldier, chose the same miserable fate. He wrote in his final letter:
A Niagara of lies and defamations inundates us. Since I am now 75
years old, there is not much left for me to do - but I can still
seek death by self-immolation; one last deed that may act as a signal
to the Germans to come to their senses. Even if through my deed
only one German will awaken, and because of it will find the way
to the truth, then my sacrifice will not have been in vain. I felt
I have no other choice once I realized that even now, after 50 years,
there seems to be little hope that reason would gain the upper hand."
(21)
Elstner went to the Feldherrnhalle memorial
hall in downtown Munich and poured gasoline over himself and struck
a match. Authorities have banned the publication of his letter and have
even made it illegal to leave flowers for Elstner at the site of his
immolation. Many wonder how long it would have been before Germany's
"firemen" visited Elstner had he not preempted them.
Conclusions
Today authors around the world are finding publishers
afraid to touch their manuscripts. Brave publishers are finding printers
shutting down their presses to controversial volumes. Published volumes
are being consigned to sanctioned burnings by the "firemen."
Around the world, news of immolations like Elstner's are blacked out.
We are supposed to occupy our minds with sports on big-screen TV's,
video arcades, fast food, cellular telephones to occupy our minds while
traveling, lap top computers and even on-flight computer games. Computerized
"chat rooms" that enable us to "speak" to faceless strangers are all
the rage. How far are we from Bradbury's broadcast TV "families"? Montag's
wife exclaims, "If we had a fourth wall [of wall-size TV screens], why
it'd be just like this room wasn't ours at all, but all kinds of exotic
people's rooms."(22) When war is declared
in Fahrenheit 451, people are not over concerned. It will
be a "quick war. Forty-eight hours, they said, and everyone home. That's
what the Army said."(23) Recall President Clinton's promise that American
troops would be home from Bosnia by September 1996! No one seems to
mind that they have yet to return. Actual thought is indeed rare today,
perhaps because it is so frowned upon.
How
many readers of this article have hidden their books and journals? Have
you established a secret library yet? Are you afraid of your friends
and loved ones? Guy Montag hid his books:
"He reached up and pulled back the grille of the air-conditioning
system and reached far back inside to the right and moved still
another sliding sheet of metal and took out a book."(24)
Such hiding places are something that each of us should
consider if the Fahrenheit 451 trends prevalent today are
not reversed.
Ironically, Bradbury mentions
censorship of his book on censorship in the "Coda" of Fahrenheit
451.
"I discovered that, over the years, some cubby-hole editors at Ballantine
Books, fearful of contaminating the young, had, bit by bit, censored
some 75 separate sections from the novel." (25)
Let there be no mistake - the "firemen" are actively
at large and active. Our future depends on truth and intellectual freedom
rising phoenix-like from the ashes of the present.
This article was published in slightly different form in
The
Last Ditch, no. 19, December 19, 1997 and in Readings on Fahrenheit
451, Greenhaven Press, Inc., San Diego, CA.
Notes
1. James J. Martin, "Introduction" in Harry Elmer Barnes, Barnes
Against the Blackout (Costa Mesa, CA: Institute for Historical
Review, 1991), p. xvii.
2. Harry E. Barnes, "Revisionism
and the Promotion of Peace" in Barnes Against the Blackout,
p. 273. Barnes article originally appeared in the Summer, 1958 issue
of Liberation.
3. See David T. Wright, "The
incendiary prophet," The Last Ditch, Aug. 1995, p.7.
4. Ray Bradbury, Fahrenheit 451 (New York, Ballantine
Books, 1996), p. 58.
5. Ibid., p. 59.
6. Mark
Weber, The Zionist Terror Network, (Newport Beach, CA:
Institute for Historical Review, 1993), p. 16. 7.
Evening Standard, September 6, 1996. 8. Martin,
p. xvii. See also: Weber, p. 11. 9. "Traditional Enemy
Torches Zuendel's Headquarters," David Irving's Action Report
9b, June 10, 1995 p. 1. See also Power Letter, May
17, 1995 and The Toronto Sun, May 8 and 9, 1995.
10. "St Martin's Cancels Book On Goebbels," The New York Times,
April 5, 1996, p. D4. 11. Bradbury p. 82.
12. "Corrupt German Court Jails Deckert for Two Years," David
Irving's Action Report 9b, June 10, 1995, p. 2. See also: "Two-Year
Prison Sentence for 'Holocaust Denial'," The Journal of Historical
Review JHR (15)3, May/June 1995, pp. 40-42.
See also:
German Court Jails Deckert for
Two Years 13. "Revisionist Books Seized in German
Police Raid," JHR (15)3, May/June 1995, p. 43.
14. In January 2006, the United States government deported Germar Rudolf
to Germany where he currently is serving his 18 month sentence.
For more on the case of Germar Rudolf, the following is recommended:
Wilhelm Schlesiger, Der Fall Rudolf: Menschenrechtswidriger Vernichtungsfeldzug
gegen einen tadellosen Wissenschaftler, (Brighton/Sussex : Cromwell
Press, 1994). 15. Bradbury, p. 116. 16. Ibid.,
p. 117. 17. "Book Detailing Jewish Crimes Against Germans
Banned," JHR (15)1, Jan/Feb 1995, p. 28. See also: "German
Publisher Drops Book on Postwar Camps for Nazis," The New York
Times, February 16, 1995. The book, An Eye for an Eye:
The Untold Story of Jewish Revenge Against Germans in 1945, was
published in the United States in 1993 by Basic Books of New York, a
division of the publishing firm of HarperCollins. 18. "Carlos
Porter, sentenced in Germany says 'Nuts' from Belgium," Smith's
Report 40, February 1997, pp. 4-5. Documents regarding Carlos
Porter's fines are available on the internet at:
http://www.codoh.com/germany/gerport.html.
19. Bradbury p. 50. 20. Bradbury pp. 39-40.
21. Reinhold Elstner, "A Last Letter from One of Our Number,"
David Irving's Action Report 10, July 5, 1996, p. 14. Translated
by Hans Schmidt. See also: "A German Takes His Life to Protest Defamation
and Historical Lies," JHR 15(5), Sept/Oct 1995, pp. 23-24.
22. Bradbury, pp.20-21. 23. Ibid., p. 94.
24. Ibid., p. 65. 25. Ibid., p. 177.
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